Tales from the Shadowhunter Academy

Read or download online Tales from the Shadowhunter Academy ebook full in format Pdf, ePub, Kindle, and many more. Tales from the Shadowhunter Academy written by Cassandra Clare,Sarah Rees Brennan,Maureen Johnson,Robin Wasserman, published by Simon and Schuster on 2016-11-15 with 672 pages for you to read. Tales from the Shadowhunter Academy is one from many Young Adult Fiction books that available for free in the amazon kindle unlimited, click Get Book to start reading and download books online free now. With Kindle Unlimited Free trial, you can read as many books as you want today.

Tales from the Shadowhunter Academy

Tales from the Shadowhunter Academy

  • Author : Cassandra Clare,Sarah Rees Brennan,Maureen Johnson,Robin Wasserman
  • ISBN :
  • Category : Young Adult Fiction
  • Publisher : Simon and Schuster
  • Pages : 672
  • Release Date : 2016-11-15

The New York Times and USA TODAY bestselling collection of short stories chronicling the adventures of Simon Lewis as he trains to become a Shadowhunter is now available in print with ten brand-new comic illustrations! Simon Lewis has been a human and a vampire, and now he is becoming a Shadowhunter. The events of City of Heavenly Fire left him stripped of his memories, and Simon isn’t sure who he is anymore. So when the Shadowhunter Academy reopens, Simon throws himself into this new world of demon-hunting, determined to find himself again. Whomever this new Simon might be. But the Academy is a Shadowhunter institution, which means it has some problems. Like the fact that non-Shadowhunter students have to live in the basement. At least Simon’s trained in weaponry—even if it’s only from hours of playing D&D. Join Simon on his journey to become a Shadowhunter, and learn about the Academy’s illustrious history along the way, through guest lecturers such as Jace Herondale, Tessa Gray, and Magnus Bane. Written by Cassandra Clare, Sarah Rees Brennan, Maureen Johnson, and Robin Wasserman, these moving and hilarious short stories are perfect for the fan who just can’t get enough of the Shadowhunters.

“Suspenseful . . . almost impossible to put down.”—Sacramento Union In the city of the Red Sox and the Red Line someone is leaving roses—red ones, of course—on the bodies of women he kills. For a psychologist named Susan Silverman and a P.I. named Spenser, the case is personal. But Spenser knows it's the wrong man. Because the right one has come calling on Susan—with a red rose in hand. “A novel worth reading with an ending that is worth waiting for.”—South Bend Tribune

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Susan's letter came from California: Hand was in jail, and she was on the run. Twenty-four hours later, Hawk is free, because Spenser has sprung him loose—for a brutal cross-country journey back to the East Coast. Now the two men are on a violent ride to find the woman Spenser loves, the man who took her, and the shocking reason so many people had to die. . . . Praise for A Catskill Eagle “Entertaining.”—The San Diego Union-Tribune “His best mystery novel.”—Time

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“Ebullient entertainment.”—Time A hotshot reporter is dead. He'd gone to take a look-see at “Miami North”—little Wheaton, Massachusetts—the biggest cocaine distribution center above the Mason-Dixon line. Did the kid die for getting too close to the truth . . . or to a sweet lady with a jealous husband? Spenser will stop at nothing to find out. Praise for Robert B. Parker's Spenser novels “Like Philip Marlowe, Spenser is a man of honor in a dishonorable world. When he says he will do something, it is done. The dialogues zings, and there is plenty of action . . . but it is the moral element that sets them above most detective fiction.”—Newsweek “Crackling dialogue, plenty of action and expert writing . . . Unexpectedly literate—[Spenser is] in many respects the very exemplar of the species.”—The New York Times “They just don’t make private eyes tougher or funnier.”—People “Parker has a recorder’s ear for dialogue, an agile wit . . . and, strangely enough, a soupçon of compassion hidden under that sardonic, flip exterior.”—Los Angeles Times “A deft storyteller, a master of pace.”—The Philadelphia Inquirer “Spenser probably had more to do with changing the private eye from a coffin-chaser to a full-bodied human being than any other detective hero.”—The Chicago Sun-Times “[Spenser is] tough, intelligent, wisecracking, principled, and brave.”—The New Yorker

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The agents at the IRS Regional Examination Center in Peoria, Illinois, appear ordinary enough to newly arrived trainee David Foster Wallace. But as he immerses himself in a routine so tedious and repetitive that new employees receive boredom-survival training, he learns of the extraordinary variety of personalities drawn to this strange calling. And he has arrived at a moment when forces within the IRS are plotting to eliminate even what little humanity and dignity the work still has. The Pale King remained unfinished at the time of David Foster Wallace's death, but it is a deeply compelling and satisfying novel, hilarious and fearless and as original as anything Wallace ever undertook. It grapples directly with ultimate questions--questions of life's meaning and of the value of work and society--through characters imagined with the interior force and generosity that were Wallace's unique gifts. Along the way it suggests a new idea of heroism and commands infinite respect for one of the most daring writers of our time.

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Princess Lira is siren royalty and the most lethal of them all. With the hearts of seventeen princes in her collection, she is revered across the sea. Until a twist of fate forces her to kill one of her own. To punish her daughter, the Sea Queen transforms Lira into the one thing they loathe most--a human. Robbed of her song, Lira has until the winter solstice to deliver Prince Elian’s heart to the Sea Queen and or remain a human forever. The ocean is the only place Prince Elian calls home, even though he is heir to the most powerful kingdom in the world. Hunting sirens is more than an unsavory hobby--it’s his calling. When he rescues a drowning woman in the ocean, she’s more than what she appears. She promises to help him find the key to destroying all of sirenkind for good--But can he trust her? And just how many deals will Elian have to barter to eliminate mankind’s greatest enemy?

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Simple text and captivating illustrations are paired with beautiful music and fun sound-effects to help tell the classic tale of "The Princess and the Pea." Prince Fastidious travels the world to find his perfect princess. But something is not quite right about any of them. They either talk too much, or not at all. Some are too old for him, or too young. Others are spoiled or have too many noisy, little dogs. Find out what happens when Princess Rose accidentally comes to the castle at night because of a fierce storm. How does she prove to the Queen that she’s a real princess? A happy ending adds interest to this fairy tale and encourages a lifelong love for reading.

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Twenty-nine tales from the folklore of Turkey, India, Denmark, Armenia, and the Sudan.

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From the internationally bestselling author of London and Sarum -- a magnificent epic about love and war, family life and political intrigue in Ireland over the course of seventeen centuries. Like the novels of James Michener, The Princes of Ireland brilliantly interweaves engrossing fiction and well-researched fact to capture the essence of a place. Edward Rutherfurd has introduced millions of readers to the human dramas that are the lifeblood of history. From his first bestseller, Sarum, to the #1 bestseller London, he has captivated audiences with gripping narratives that follow the fortunes of several fictional families down through the ages. The Princes of Ireland, a sweeping panorama steeped in the tragedy and glory that is Ireland, epitomizes the power and richness of Rutherfurd’s storytelling magic. The saga begins in pre-Christian Ireland with a clever refashioning of the legend of Cuchulainn, and culminates in the dramatic founding of the Free Irish State in 1922. Through the interlocking stories of a wonderfully imagined cast of characters -- monks and noblemen, soldiers and rebels, craftswomen and writers -- Rutherfurd vividly conveys the personal passions and shared dreams that shaped the character of the country. He takes readers inside all the major events in Irish history: the reign of the fierce and mighty kings of Tara; the mission of Saint Patrick; the Viking invasion and the founding of Dublin; the trickery of Henry II, which gave England its foothold on the island in 1167; the plantations of the Tudors and the savagery of Cromwell; the flight of the “Wild Geese”; the failed rebellion of 1798; the Great Famine and the Easter Rebellion. With Rutherfurd’s well-crafted storytelling, readers witness the rise of the Fenians in the late nineteenth century, the splendours of the Irish cultural renaissance, and the bloody battles for Irish independence, as though experiencing their momentous impact firsthand. Tens of millions of North Americans claim Irish descent. Generations of people have been enchanted by Irish literature, and visitors flock to Dublin and its environs year after year. The Princes of Ireland will appeal to all of them -- and to anyone who relishes epic entertainment spun by a master.

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C. S. Lewis was a British author, lay theologian, and contemporary of J.R.R. Tolkien. The Lion, the Witch, and the Wardrobe is the first book in The Chronicles of Narnia.

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A THRILLING REINVENTION OF THE VAMPIRE NOVEL BY THE MASTER OF MODERN FANTASY, GEORGE R. R. MARTIN Abner Marsh, a struggling riverboat captain, suspects that something’s amiss when he is approached by a wealthy aristocrat with a lucrative offer. The hauntingly pale, steely-eyed Joshua York doesn’t care that the icy winter of 1857 has wiped out all but one of Marsh’s dilapidated fleet; nor does he care that he won’t earn back his investment in a decade. York’s reasons for traversing the powerful Mississippi are to be none of Marsh’s concern—no matter how bizarre, arbitrary, or capricious York’s actions may prove. Not until the maiden voyage of Fevre Dream does Marsh realize that he has joined a mission both more sinister, and perhaps more noble, than his most fantastic nightmare—and humankind’s most impossible dream.

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NOW THE ACCLAIMED HBO SERIES GAME OF THRONES—THE MASTERPIECE THAT BECAME A CULTURAL PHENOMENON Winter is coming. Such is the stern motto of House Stark, the northernmost of the fiefdoms that owe allegiance to King Robert Baratheon in far-off King’s Landing. There Eddard Stark of Winterfell rules in Robert’s name. There his family dwells in peace and comfort: his proud wife, Catelyn; his sons Robb, Brandon, and Rickon; his daughters Sansa and Arya; and his bastard son, Jon Snow. Far to the north, behind the towering Wall, lie savage Wildings and worse—unnatural things relegated to myth during the centuries-long summer, but proving all too real and all too deadly in the turning of the season. Yet a more immediate threat lurks to the south, where Jon Arryn, the Hand of the King, has died under mysterious circumstances. Now Robert is riding north to Winterfell, bringing his queen, the lovely but cold Cersei, his son, the cruel, vainglorious Prince Joffrey, and the queen’s brothers Jaime and Tyrion of the powerful and wealthy House Lannister—the first a swordsman without equal, the second a dwarf whose stunted stature belies a brilliant mind. All are heading for Winterfell and a fateful encounter that will change the course of kingdoms. Meanwhile, across the Narrow Sea, Prince Viserys, heir of the fallen House Targaryen, which once ruled all of Westeros, schemes to reclaim the throne with an army of barbarian Dothraki—whose loyalty he will purchase in the only coin left to him: his beautiful yet innocent sister, Daenerys.

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Part thriller, part romance, The Friend Scheme is another twisty #ownvoices YA novel from Cale Dietrich, author of The Love Interest. Matt’s father is a criminal with high hopes that his son will follow in his footsteps. His family is at war with another, and Matt’s dad is caught in the crossfire. Matt and his older brother are expected to fight for their family. But deep down Matt has other ambitions—and attractions. When he meets Jason, Matt believes he might be falling deeper than friendship for the first time. The boys keep their connection a secret, and soon Matt suspects that Jason is part of the family that tried to kill his father. The truth, however, is even more shattering, and Matt must decide if he can ever break free and own who he really is and who he is meant to love.

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True love is shrouded in secrets and lies in the enchanting second book in the #1 New York Times bestselling Infernal Devices Trilogy, prequel to the internationally bestselling Mortal Instruments series. In the magical underworld of Victorian London, Tessa Gray has found safety with the Shadowhunters. But that safety proves fleeting when it becomes clear that the mysterious Magister will stop at nothing to use Tessa’s powers for his own dark ends. With the help of the handsome, tortured Will and the devoted Jem, Tessa discovers that the Magister’s war on the Shadowhunters is deeply personal and fueled by revenge. To unravel the secrets of the past, the trio journeys from mist-shrouded Yorkshire to a manor house that holds untold horrors. When they encounter a clockwork demon bearing a warning for Will, they realize that the Magister knows their every move—and that one of their own has betrayed them. Tessa is drawn more and more to Jem, though her longing for Will continues to unsettle her. But something is changing in Will. Could finding the Magister free Will from his secrets and give Tessa answers about who she really is? As their search leads to deadly peril, Tessa learns that secrets and lies can corrupt even the purest heart.

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From global phenomenon C. S. Pacat comes the first novel in her critically acclaimed Captive Prince trilogy. Damen is a warrior hero to his people, and the rightful heir to the throne of Akielos, but when his half brother seizes power, Damen is captured, stripped of his identity, and sent to serve the prince of an enemy nation as a pleasure slave. Beautiful, manipulative and deadly, his new master Prince Laurent epitomizes the worst of the court at Vere. But in the lethal political web of the Veretian court, nothing is as it seems, and when Damen finds himself caught up in a play for the throne, he must work together with Laurent to survive and save his country. For Damen, there is just one rule: never, ever reveal his true identity. Because the one man Damen needs is the one man who has more reason to hate him than anyone else...

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The final book of the Bible, Revelation prophesies the ultimate judgement of mankind in a series of allegorical visions, grisly images and numerological predictions. According to these, empires will fall, the "Beast" will be destroyed and Christ will rule a new Jerusalem. With an introduction by Will Self.

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From New York Times bestselling author John Dunning comes a riveting Cliff Janeway Bookman novel, combining captivating book lore with page-turning suspense. Occasionally, Denver bookman Cliff Janeway has one of those perfect days—he sells a couple of good books and he buys something even better—perhaps a tough-to-find Steinbeck in mint condition. Even the jacket is fine. Working from his store on seedy Colfax Avenue, Janeway doesn't have enough of those days, but he's not complaining. Things are looking up because of his new partner and friend, lawyer Erin d'Angelo. So when Erin asks Janeway for a favor, it's hard to say no. She wants him to go over the mountain to the small town of Paradise where a former good friend, Laura Marshall, is in jail, accused of killing her husband. What happened at the Marshalls' remote mountain home? Did Laura kill Bobby, or is she trying to protect her oldest son? And where were the three children when the shooting occurred? What did they see? Rich with the intricacies of book collecting that only an expert like John Dunning can offer, The Sign of the Book is a beautifully crafted, enthralling novel of suspense from the consummate bookman himself.

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From #1 New York Times bestselling authors Cassandra Clare and Wesley Chu comes the second book in the Eldest Curses series and a thrilling adventure for High Warlock Magnus Bane and Alec Lightwood, for whom a death-defying mission into the heart of evil is not just a job, it’s also a romantic getaway. The Lost Book of the White is a Shadowhunters novel. Life is good for Magnus Bane and Alec Lightwood. They’re living together in a fabulous loft, their warlock son, Max, has started learning to walk, and the streets of New York are peaceful and quiet—as peaceful and quiet as they ever are, anyway. Until the night that two old acquaintances break into Magnus’s apartment and steal the powerful Book of the White. Now Magnus and Alec will have to drop everything to get it back. They need to follow the thieves to Shanghai, they need to call some backup to accompany them, and they need a babysitter. Also, someone has stabbed Magnus with a strange magical weapon that is changing the very nature of his powers. Fortunately, their backup consists of Clary, Jace, Isabelle, and newly minted Shadowhunter Simon. In Shanghai, they learn that a much darker threat awaits them. Magnus’s magic is growing unstable, and if they can’t stop the demons flooding into the city, they might have to follow them all the way back to the source—to the very realm of the dead.

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From the award-winning author of The King's Daughter comes a story of love and defiance during the War of the Roses. It is 1497. The news of the survival of Richard Plantagenet, Duke of York, has set royal houses ablaze with intrigue and rocked the fledgling Tudor dynasty. With the support of Scotland's King James IV, Richard-known to most of England as Perkin Warbeck-has come to reclaim his rightful crown from Henry Tudor. Stepping finally onto English soil, Lady Catherine Gordon has no doubt that her husband will succeed in his quest. But rather than assuming the throne, Catherine would soon be prisoner of King Henry VII, and her beloved husband would be stamped as an imposter. With Richard facing execution for treason, Catherine, alone in the glittering but deadly Tudor Court, must find the courage to spurn a cruel monarch, shape her own destiny, and win the admiration of a nation.

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#1 New York Times Bestseller A sumptuous and epically told love story inspired by A Thousand and One Nights Every dawn brings horror to a different family in a land ruled by a killer. Khalid, the eighteen-year-old Caliph of Khorasan, takes a new bride each night only to have her executed at sunrise. So it is a suspicious surprise when sixteen-year-old Shahrzad volunteers to marry Khalid. But she does so with a clever plan to stay alive and exact revenge on the Caliph for the murder of her best friend and countless other girls. Shazi’s wit and will, indeed, get her through to the dawn that no others have seen, but with a catch . . . she’s falling in love with the very boy who killed her dearest friend. She discovers that the murderous boy-king is not all that he seems and neither are the deaths of so many girls. Shazi is determined to uncover the reason for the murders and to break the cycle once and for all. *The book is a Rough Cut Edition (pages are deliberately not the same length).*

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The first book in the New York Times bestselling series "made for fans of Victoria Aveyard and Sabaa Tahir" (Bustle), Ash Princess is an epic new fantasy about a throne cruelly stolen and a girl who must fight to take it back for her people. Theodosia was six when her country was invaded and her mother, the Fire Queen, was murdered before her eyes. On that day, the Kaiser took Theodosia's family, her land, and her name. Theo was crowned Ash Princess--a title of shame to bear in her new life as a prisoner. For ten years Theo has been a captive in her own palace. She's endured the relentless abuse and ridicule of the Kaiser and his court. She is powerless, surviving in her new world only by burying the girl she was deep inside. Then, one night, the Kaiser forces her to do the unthinkable. With blood on her hands and all hope of reclaiming her throne lost, she realizes that surviving is no longer enough. But she does have a weapon: her mind is sharper than any sword. And power isn't always won on the battlefield. For ten years, the Ash Princess has seen her land pillaged and her people enslaved. That all ends here. "Sure to be one of the summer's most talked about YAs. . . . A darkly enchanting page-turner you won't be able to put down."-Bustle

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A James Patterson Presents Novel From the #1 New York Times and USA Today bestselling author of the Stalking Jack the Ripper series comes a new blockbuster series... Two sisters.One brutal murder. A quest for vengeance that will unleash Hell itself... And an intoxicating romance. Emilia and her twin sister Vittoria are streghe -- witches who live secretly among humans, avoiding notice and persecution. One night, Vittoria misses dinner service at the family's renowned Sicilian restaurant. Emilia soon finds the body of her beloved twin...desecrated beyond belief. Devastated, Emilia sets out to find her sister's killer and to seek vengeance at any cost-even if it means using dark magic that's been long forbidden. Then Emilia meets Wrath, one of the Wicked-princes of Hell she has been warned against in tales since she was a child. Wrath claims to be on Emilia's side, tasked by his master with solving the series of women's murders on the island. But when it comes to the Wicked, nothing is as it seems...

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The Odyssey is one of two major ancient Greek epic poems attributed to Homer. It is, in part, a sequel to the Iliad, the other work ascribed to Homer. The Odyssey is fundamental to the modern Western canon, and is the second-oldest extant work of Western literature; the Iliad is the oldest. Scholars believe the Odyssey was composed near the end of the 8th century BC, somewhere in Ionia, the Greek coastal region of Anatolia.

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A turning point in the history of European literature, 'The Prisoner of Zenda' is one such fabulous work of Anthonu Hope which inspired an entire new genre in literature - Ruritanian Romance. Published in 1894, this is an adventure novel in which the King of Ruritania is drugged on the eve of his coronation and thus, is unable to attend the ceremony. Political forces within the realm are such that, in order for the king to retain the crown, his coronation must proceed. Fortuitously, an English gentleman on holiday in Ruritania, who resembles the monarch, is persuaded to act as his political decoy in an effort to save the unstable political situation of the interregnum.

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A #1 New York Times Bestseller! The Shadowhunters must catch a killer in Edwardian London in this dangerous and romantic sequel to the #1 New York Times bestselling novel Chain of Gold, from New York Times and USA TODAY bestselling author Cassandra Clare. Chain of Iron is a Shadowhunters novel. Cordelia Carstairs seems to have everything she ever wanted. She’s engaged to marry James Herondale, the boy she has always loved; she has a new life in London with her best friend Lucie; and she bears the sword Cortana, a legendary hero’s blade. But the truth is far grimmer. Cordelia’s marriage is a lie, arranged to save her reputation, while James remains in love with the Grace Blackthorn. Cortana burns her when she touches it. And a serial murderer is targeting the Shadowhunters of London, killing under cover of darkness, then vanishing without a trace. Now Cordelia, James, and Lucie must follow the trail of the killer through the city’s most dangerous streets. All the while, each is keeping a shocking secret: Lucie, that she is attempting to raise the dead; Cordelia, that she has sworn a dangerous oath of loyalty to a mysterious power; and James, that he himself may be the killer they seek.

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New York Times bestselling author of the Spenser series of crime thrillers—Book 1 in the series “The toughest, funniest, wisest, private eye in the field these days.”—Houston Chronicle Spenser earned his degree in the school of hard knocks, so he is ready when a Boston university hires him to recover a rare, stolen manuscript. He is hardly surpised that his only clue is a radical student with four bullets in his chest. The cops are ready to throw the book at the pretty blond coed whose prints are all over the murder weapon but Spenser knows there are no easy answers. He tackles some very heavy homework and knows that if he doesn't finish his assignment soon, he could end up marked “D”—for dead.

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Explore the world of the Mortal Instruments with Cassandra Clare and more Join Cassandra Clare and a Circle of more than a dozen top YA writers, including New York Times bestsellers Holly Black, Rachel Caine, and Kami Garcia, as they write about the Mortal Instruments series, its characters, and its world. Inside you'll read: • A cinematic tutorial on why the best friend (Simon) always loses out to the bad boy (Jace) • The unexpected benefits of the incest taboo • What we can read between the lines of Alec and Magnus' European vacation • The importance of friendship, art, humor, and rebellion • And more, from the virtues of Downworlders to the naughty side of Shadowhunting

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Dark secrets and forbidden love threaten the very survival of the Shadowhunters in Cassandra Clare’s Queen of Air and Darkness, the final novel in the New York Times and USA TODAY bestselling The Dark Artifices trilogy. Queen of Air and Darkness is a Shadowhunters novel. What if damnation is the price of true love? Innocent blood has been spilled on the steps of the Council Hall, the sacred stronghold of the Shadowhunters. Their society now teeters on the brink of civil war. One fragment of the Blackthorn family flees to Los Angeles, seeking to discover the source of the disease that is destroying the race of warlocks. Meanwhile, Julian and Emma take desperate measures to put their forbidden love aside and undertake a perilous mission to Faerie to retrieve the Black Volume of the Dead. What they find there is a secret that may tear the Shadow World asunder and open a dark path into a future they could never have imagined. Caught in a race against time, Emma and Julian must save the world of the Shadowhunters before a deadly curse destroys them and everyone they love.

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This innovative study examines a range of canonical and non-canonical materials to open a new narrative on the mutually illuminating interchange between Romantic literature and philological theory in the late-eighteenth and early nineteenth centuries. Arguing that philology can no longer be treated as something that did not happen to Romantic authors, this book undertakes a substantial revision of our understanding of the intellectual and political contexts that helped determine the Romantic consciousness

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Challenging literary histories that locate the emergence of fantastic literature in the Romantic period, David Sandner shows that tales of wonder and imagination were extremely popular throughout the eighteenth century. Sandner engages contemporary critical definitions and defenses of eighteenth- and early nineteenth-century fantastic literature, demonstrating that a century of debate and experimentation preceded the Romantic's interest in the creative imagination. In 'The Fairy Way of Writing,' Joseph Addison first defines the literary use of the supernatural in a 'modern' and 'rational' age. Other writers like Richard Hurd, James Beattie, Samuel Johnson, James Percy, and Walter Scott influence the shape of the fantastic by defining and describing the modern fantastic in relation to a fabulous and primitive past. As the genre of the 'purely imaginary,' Sandner argues, the fantastic functions as a discourse of the sublime imagination, albeit a contested discourse that threatens to disrupt any attempt to ground the sublime in the realistic or sympathetic imagination. His readings of works by authors such as Ann Radcliffe, William Beckford, Horace Walpole, Mary Shelley, Walter Scott, and James Hogg not only redefine the antecedents of the fantastic but also offer a convincing account of how and why the fantastic came to be marginalized in the wake of the Enlightenment.

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For the first time, the works on stylistics by one of the most brilliant linguists of our times are collected in a single volume. This book highlights the evolution of John Sinclair’s theories and insights from studies on language teaching through detailed analyses of text and discourse, and into his later works on corpus stylistics. More specifically, Part I focuses on how theory can inform teaching practice. Part II is more directed towards linguistic analyses of specific texts and provides practical bases for stylistic approaches. In Part III, Sinclair’s contributions to discourse analysis shed light on ways of looking and understanding literature. Written in his crisp clear, straightforward style, this book demonstrates Sinclair’s explicit concern for more systematic approaches to the integration of language and literature and shows why his works on stylistics have been both reference and inspiration to students, language and literature teachers and researchers over many decades.

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Modernism, as a powerful movement, saw the literary and artistic traditions, as well as pure science, starting to evolve radically, creating a crisis, even chaos, in culture and society. Within this chaos, myth offered an ordered picture of that world employing symbolic and poetic images. Both W.B. Yeats and Angelos Sikelianos embraced myth and symbols because they liberate imagination and raise human consciousness, bringing together humans and the cosmos. Being opposed to the rigidity of scientific materialism that inhibits spiritual development, the two poets were waiting for a new age and a new religion, expecting that they, themselves, would inspire their community and usher in the change. In their longing for a new age, archaeology was a magnetic field for Yeats and Sikelianos, as it was for many writers and thinkers. After Sir Arthur Evans’s discovery of the Minoan Civilization where women appeared so peacefully prominent, the dream of re-creating a gynocentric mythology was no longer a fantasy. In Yeats’s and Sikelianos’s gynocentric mythology, the feminine figure appears in various forms and, like in a drama, it plays different roles. Significantly, a gynocentric mythology permeates the work of the two poets and this mythology is of pivotal importance in their poetry, their poetics and even in their life as the intensity of their creative desire brought to them female personalities to inspire and guide them. Indeed, in Yeats’s and Sikelianos’s gynocentric mythology, the image of the feminine holds a place within a historical context taking the reader into a larger social, political and religious space.

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Commentators have noted the extraordinary impact of popular culture on legal practice, courtroom proceedings, police departments, and government as a whole, and it is no exaggeration to say that most people derive their basic understanding of law from cultural products. Movies, television programs, fiction, children’s literature, online games, and the mass media typically influence attitudes and impressions regarding law and legal institutions more than law and legal institutions themselves. Law and Popular Culture: International Perspectives enhances the appreciation of the interaction between popular culture and law by underscoring this interaction’s multinational and international features. Two dozen authors from nine countries invite readers to consider the role of law-related popular culture in a broad range of nations, socio-political contexts, and educational environments. Even more importantly, selected contributors explore the global transmission and reception of law-related cultural products and, in particular, the influence of assorted works and media across national borders and cultural boundaries. The circulation and consumption of law-related popular culture are increasing as channels of mass media become more complex and as globalization runs its uncertain course. Law and Popular Culture: International Perspectives adds to the critical understanding of the worldwide interaction of popular culture and law and encourages reflection on the wider implications of this mutual influence across both time and geography.

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This book explores the impact of Keats on authors and artists from 1821 to the end of the First World War. It examines the work of authors including Shelley, Browning and Thomas Hall Caine, and artists Holman Hunt and Rossetti. The study also includes tributes to Keats by women authors and artists such as Christina Rossetti and Jessie Marion King.

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For Decadent authors, Romanticism was a source of powerful imaginative revisionism, perversion, transition, and partial negation. But for all these strong Decadent reactions against the period, the cultural phenomenon of Decadence shared with Romanticism a mutual distrust of the philosophy of utilitarianism and the aesthetics of neo-Classicism. Reflecting on the interstices between Romantic and Decadent literature, Decadent Romanticism reassesses the diverse and creative reactions of Decadent authors to Romanticism between 1780 and 1914, while also remaining alert to the prescience of the Romantic imagination to envisage its own distorted, darker, perverted, other self. Creative pairings include William Blake and his Decadent critics, the recurring figure of the sphinx in the work of Thomas De Quincey and Decadent writers, and Percy Shelley with both Mathilde Blind and Swinburne. Not surprisingly, John Keats’s works are a particular focus, in essays that explore Keats’s literary and visual legacies and his resonance for writers who considered him an icon of art for art’s sake. Crucial to this critical reassessment are the shared obsessions of Romanticism and Decadence with subjectivity, isolation, addiction, fragmentation, representation, romance, and voyeurism, as well as a poetics of desire and anxieties over the purpose of aestheticism.

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Even before he was named Grand Master for Lifetime Achievement by the Mystery Writers of America, Edgar® Award-winning author Robert B. Parker had assumed the mantle of dean of American crime fiction. “Taking his place beside Dashiell Hammett, Raymond Chandler, and Ross MacDonald” (The Boston Globe), Parker has transcended the conventions of the crime genre. As one of the most popular and prolific writers in the world, he has reinvented crime writing with his inimitable style and unforgettable characters. Now discover everything about everything that is Robert B. Parker: • Comprehensive biography of Robert B. Parker • Inside the Spenser novels • All about the Jesse Stone and Sunny Randall novels • Parker’s stand-alone fiction • Complete cast of characters • Spenser on film • Robert B. Parker’s Boston—locales, crime scenes, and maps • Memorable quotes • Inclusive bibliography Plus, an exclusive and insightful new interview with Robert B. Parker.

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First published in 1981. A Concordance to the Poems of John Keats intended to provide the user with a volume suitable to the varying and increasingly specialised interests of scholarship. This title offers a high degree of inclusiveness that attends to the poems and plays, the emended and authoritative headings, and virtually all of the variant readings considered substantive in the riches of the Keats manuscript materials. This title will be of interest to students of literature.

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After death, Townes Van Zandt found the success that he sabotaged during life. Diagnosed as bipolar, an alcoholic, and perennially unreliable, Van Zandt died of heart failure at the age of 52 on New Year’s Day 1997. He released sixteen albums during life, and since his death numerous albums both by and in honor of him have been released and many critical articles published, in addition to several books (including Robert Hardy’s A Deeper Blue by UNT Press). Van Zandt, once an underappreciated and self-destructive wandering troubadour, is now a critics’ and fan-favorite. His best-known songs are “Pancho and Lefty,” covered by Waylon Jennings and Willie Nelson, and “If I Needed You.” Steve Earle’s 2009 Townes album of covers jumpstarted a slate of more recent tributes, including those by Robert Earl Keen, Lucinda Williams, and John Prine. For the Sake of the Song collects ten essays on Townes Van Zandt from a variety of approaches. For example, contributors examine his legacy; his use of the minor key; psychological interpretation of “High, Low and In Between”; his reception in the Austin music scene; and an exploration of his relationship with Richard Dobson, a so-called “outlaw songwriter” with whom he toured as part of the Hemmer Ridge Mountain Boys. An introduction by editors Ann Norton Holbrook and Dan Beller-McKenna provides an overview of Van Zandt’s literary excellence and philosophical wisdom, rare among even the best songwriters.

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I met a Lady Full beautiful, a faerys child; Her hair was long. She took me to her elfin grot And there we slumbered on the moss. Excerpted from La Belle Dame sans Merci Keats-1819 Murille is about artistic vision and sensual awakening; the story of a young model coming of age while sitting for one of John William Waterhouses most popular works of art, La Belle Dame sans Merci, 1893, (front cover) inspired by his model and based on the poem by Keats

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