The Woman in Black

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The Woman in Black

The Woman in Black

  • Author : Susan Hill
  • ISBN :
  • Category : Fiction
  • Publisher : Random House
  • Pages : 208
  • Release Date : 2011-06-27

'Heartstoppingly chilling' Daily Express Read the truly terrifying classic English ghost story behind the play. Arthur Kipps, a junior solicitor, is summoned to attend the funeral of Mrs Alice Drablow, the sole inhabitant of Eel Marsh House. The house stands at the end of a causeway, wreathed in fog and mystery, but it is not until he glimpses a wasted young woman, dressed all in black, at the funeral, that a creeping sense of unease begins to take hold, a feeling deepened by the reluctance of the locals to talk of the woman in black - and her terrible purpose. 'No one chills the heart like Susan Hill' Daily Telegraph **If you love The Woman in Black, try The Various Haunts of Men, the first book in Susan Hill's Simon Serrailler series**

'Heartstoppingly chilling' Daily Express Read the truly terrifying classic English ghost story behind the play. Arthur Kipps, a junior solicitor, is summoned to attend the funeral of Mrs Alice Drablow, the sole inhabitant of Eel Marsh House. The house stands at the end of a causeway, wreathed in fog and mystery, but it is not until he glimpses a wasted young woman, dressed all in black, at the funeral, that a creeping sense of unease begins to take hold, a feeling deepened by the reluctance of the locals to talk of the woman in black - and her terrible purpose. 'No one chills the heart like Susan Hill' Daily Telegraph **If you love The Woman in Black, try The Various Haunts of Men, the first book in Susan Hill's Simon Serrailler series**

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“The book I most often give as a gift to cheer people up.” —Hilary Mantel “Tart, beguiling, witty and compassionate, Madeleine St. John’s novel is a literary boost for the spirits.” —Maureen Corrigan, Fresh Air “A deceptively smart comic gem.” –The New York Times Book Review “Witty and delicious.” –People The women in black, so named for the black frocks they wear while working at Goode’s department store, are busy selling ladies’ dresses during the holiday rush. But they somehow find time to pursue other goals… Patty, in her mid-thirties, has been working at Goode’s for years. Her husband, Frank, eats a steak for dinner every night, watches a few minutes of TV, and then turns in. Patty yearns for a baby, but Frank is always too tired for that kind of thing. Sweet, unlucky Fay wants to settle down with a nice man, but somehow nice men don’t see her as marriage material. Glamorous Magda runs the high-end gowns department. A Slovenian émigré, Magda is cultured and continental and hopes to open her own boutique one day. Lisa, a clever and shy teenager, takes a job at Goode’s during her school break. Lisa wants to go to university and dreams of becoming a poet, but her father objects to both notions. By the time the last marked-down dress is sold, all of their lives will be forever changed. A pitch-perfect comedy of manners set during a pivotal era, and perfect for fans of The Marvelous Mrs. Maisel, The Women in Black conjures the energy of a city on the cusp of change and is a testament to the timeless importance of female friendship.

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This beautifully illustrated board book edition of instant bestseller Little Leaders: Bold Women in Black History showcases women who changed the world and is the perfect goodnight book to inspire big dreams. Featuring 18 trailblazing black women in American history, Dream Big, Little One is the irresistible board book adaptation of Little Leaders: Bold Women in Black History. Among these women, you'll find heroes, role models, and everyday women who did extraordinary things - bold women whose actions and beliefs contributed to making the world better for generations of girls and women to come. Whether they were putting pen to paper, soaring through the air or speaking up for the rights of others, the women profiled in these pages were all taking a stand against a world that didn't always accept them. The leaders in this book may be little, but they all did something big and amazing, inspiring generations to come.

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The Woman in Black is the third gripping Jessica Daniel novel from bestselling sensation, Kerry Wilkinson. Someone has left a severed hand in the centre of Manchester and the only clue Detective Sergeant Jessica Daniel has to go on is CCTV footage of a woman in a long black robe placing it carefully on the ground. With a lengthy missing persons list and frantic families wondering if the body part could belong to their absent loved ones, she has plenty to deal with – and that's before a detached finger arrives for her in the post. By the time a second hand is found and a local MP's wife goes missing, Jessica is left struggling to find out who the appendages belong to, how they are connected and just what the mysterious woman in black has to do with it all.

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Originally published in 1982, All the Women Are White, All the Blacks Are Men, But Some of Us Are Brave: Black Women's Studies is the first comprehensive collection of black feminist scholarship. Featuring contributions from Alice Walker and the Combahee River Collective, this book is vital to today's conversation on race and gender in America. With an afterword from Salon columnist Brittney Cooper. Coeditors Akasha (Gloria T.) Hull, Patricia Bell-Scott, and Barbara Smith are authors and former women's studies professors. Brittney Cooper is an assistant professor of women and gender studies and Africana studies at Rutgers University and a co-founder of the Crunk Feminist Collective.

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'Last week, I was sitting in seven layers (two of them thermal) next to a fire, with a blanket wrapped around me. Now, I am sleeping in kickers and a vest under a fan. Let the mosquitos bite me. They can have me ... Can we live here? ... If I don't become roadkill in the next few days, I'll let you know my thoughts.' In 2009, Sarah and John Alderson quit their full-time jobs in London and headed off, with Alula, their three-year-old daughter, on a global adventure to find a new home. For eight months, they travelled through Australia, the US and Asia - navigating India with a toddler in a tutu, battling black magic curses in Indonesia and encountering bears in North America - asking themselves one defining question: 'Can We Live Here?' Inspirational, hilarious and fascinating - this is an unforgettable travel memoir and a unique guide to quitting your job, following your dreams and finding your home in a far-flung paradise.

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A classic work of feminist scholarship, Ain't I a Woman has become a must-read for all those interested in the nature of black womanhood. Examining the impact of sexism on black women during slavery, the devaluation of black womanhood, black male sexism, racism among feminists, and the black woman's involvement with feminism, hooks attempts to move us beyond racist and sexist assumptions. The result is nothing short of groundbreaking, giving this book a critical place on every feminist scholar's bookshelf.

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NOW A MAJOR TV DRAMA Late one summer evening, antiquarian bookseller Adam Snow is returning from a client visit when he takes a wrong turn. He stumbles across a derelict Edwardian house, and compelled by curiosity, approaches the door. Standing before the entrance, he feels the unmistakable sensation of a small cold hand creeping into his own, 'as if a child had taken hold of it'. At first he is merely puzzled by the odd incident but then begins to suffer attacks of fear and panic, and is visited by nightmares. He is determined to learn more 'about the house and its once-magnificent, now overgrown garden but when he does so, he receives further, increasingly sinister, visits from the small hand.

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In celebration of its highly anticipated Broadway revival, Ntozake Shange’s classic, award-winning play centering the wide-ranging experiences of Black women, now with introductions by two-time National Book Award winner Jesmyn Ward and Broadway director Camille A. Brown. From its inception in California in 1974 to its Broadway revival in 2022, the Obie Award–winning for colored girls who have considered suicide/when the rainbow is enuf has excited, inspired, and transformed audiences all over the country for nearly fifty years. Passionate and fearless, Shange’s words reveal what it meant to be a woman of color in the 20th century. First published in 1975, when it was praised by The New Yorker for “encompassing…every feeling and experience a woman has ever had,” for colored girls who have considered suicide/when the rainbow is enuf will be read and performed for generations to come. Now with new introductions by Jesmyn Ward and Broadway director Camille A. Brown, and one poem not included in the original, here is the complete text of a groundbreaking dramatic prose poem that resonates with unusual beauty in its fierce message to the world.

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NATIONAL BESTSELLER WINNER OF THE BOOKER PRIZE “A must-read about modern Britain and womanhood . . . An impressive, fierce novel about the lives of black British families, their struggles, pains, laughter, longings and loves . . . Her style is passionate, razor-sharp, brimming with energy and humor. There is never a single moment of dullness in this book and the pace does not allow you to turn away from its momentum.” —Booker Prize Judges Bernardine Evaristo is the winner of the 2019 Booker Prize and the first black woman to receive this highest literary honor in the English language. Girl, Woman, Other is a magnificent portrayal of the intersections of identity and a moving and hopeful story of an interconnected group of Black British women that paints a vivid portrait of the state of contemporary Britain and looks back to the legacy of Britain’s colonial history in Africa and the Caribbean. The twelve central characters of this multi-voiced novel lead vastly different lives: Amma is a newly acclaimed playwright whose work often explores her Black lesbian identity; her old friend Shirley is a teacher, jaded after decades of work in London’s funding-deprived schools; Carole, one of Shirley’s former students, is a successful investment banker; Carole’s mother Bummi works as a cleaner and worries about her daughter’s lack of rootedness despite her obvious achievements. From a nonbinary social media influencer to a 93-year-old woman living on a farm in Northern England, these unforgettable characters also intersect in shared aspects of their identities, from age to race to sexuality to class. Sparklingly witty and filled with emotion, centering voices we often see othered, and written in an innovative fast-moving form that borrows technique from poetry, Girl, Woman, Other is a polyphonic and richly textured social novel that shows a side of Britain we rarely see, one that reminds us of all that connects us to our neighbors, even in times when we are encouraged to be split apart.

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This book analyses dissent and its manifestations in movements of social and political transformation across communities and cultures. It shows how these movements create ruptures in the structures of power, and social hierarchy; expressed through songs, slogans, poetry and performances. The chapters in the book explore these sites of transgression and the imprint they leave on culture, politics, beliefs and the collective society – via music and poetry as in the Bhakti movement or through feministic theories born in post-World War Europe. It also explores how these dynamic movements generate alternate spaces within which the self, identity and collective purpose take new forms and find new meanings as they travel. This book will be of interest to students and scholars of the humanities, literature, history, sociology, politics and culture studies.

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An empowering and celebratory portrait of Black women—from Josephine Baker to Aunt Viv to Cardi B. "Powerful... Calling for Black women (in and out of the public eye) to be treated with empathy, Blay’s pivotal work will engage all readers, especially fans of Mikki Kendall’s Hood Feminism." —Kirkus (Starred) In 2013, film and culture critic Zeba Blay was one of the first people to coin the viral term #carefreeblackgirls on Twitter. As she says, it was “a way to carve out a space of celebration and freedom for Black women online.” In this collection of essays, Carefree Black Girls, Blay expands on this initial idea by delving into the work and lasting achievements of influential Black women in American culture--writers, artists, actresses, dancers, hip-hop stars--whose contributions often come in the face of bigotry, misogyny, and stereotypes. Blay celebrates the strength and fortitude of these Black women, while also examining the many stereotypes and rigid identities that have clung to them. In writing that is both luminous and sharp, expansive and intimate, Blay seeks a path forward to a culture and society in which Black women and their art are appreciated and celebrated.

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Winner of several prestigious prizes, The Spare Room is extraordinary writer Helen Garner's intense, moving investigation of the boundaries and limits of a lifelong friendship.As the novel opens, Helen lovingly prepares the spare room in her home for her dear friend Nicola, who is coming to visit for three weeks while receiving controversial treatment for late-stage cancer. From the moment Nicola staggers off the plane, gaunt and hoarse but still somehow grand, Helen becomes her nurse, her guardian angel, and her stony judge. The Spare Room tells an unforgettable story full of complex humour, rage, and compassion.

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NEW YORK TIMES BESTSELLER • NOW A MAJOR MOTION PICTURE • “A taut page-turner with all the hallmarks of a good historical thriller.”—Orlando Sentinel The gripping true story of the duel to end all duels in medieval France as a resolute knight defends his wife’s honor against the man she accuses of a heinous crime In the midst of the devastating Hundred Years’ War between France and England, Jean de Carrouges, a Norman knight fresh from combat in Scotland, returns home to yet another deadly threat. His wife, Marguerite, has accused squire Jacques Le Gris of rape. A deadlocked court decrees a trial by combat between the two men that will also leave Marguerite’s fate in the balance. For if her husband loses the duel, she will be put to death as a false accuser. While enemy troops pillage the land, and rebellion and plague threaten the lives of all, Carrouges and Le Gris meet in full armor on a walled field in Paris. What follows is the final duel ever authorized by the Parlement of Paris, a fierce fight with lance, sword, and dagger before a massive crowd that includes the teenage King Charles VI, during which both combatants are wounded—but only one fatally. Based on extensive research in Normandy and Paris, The Last Duel brings to life a colorful, turbulent age and three unforgettable characters caught in a fatal triangle of crime, scandal, and revenge. The Last Duel is at once a moving human drama, a captivating true crime story, and an engrossing work of historical intrigue with themes that echo powerfully centuries later.

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Based on the New York Times bestselling book and the Academy Award–nominated movie, author Margot Lee Shetterly and Coretta Scott King Illustrator Honor Award winner Laura Freeman bring the incredibly inspiring true story of four black women who helped NASA launch men into space to picture book readers! Dorothy Vaughan, Mary Jackson, Katherine Johnson, and Christine Darden were good at math…really good. They participated in some of NASA's greatest successes, like providing the calculations for America's first journeys into space. And they did so during a time when being black and a woman limited what they could do. But they worked hard. They persisted. And they used their genius minds to change the world. In this beautifully illustrated picture book edition, we explore the story of four female African American mathematicians at NASA, known as "colored computers," and how they overcame gender and racial barriers to succeed in a highly challenging STEM-based career. "Finally, the extraordinary lives of four African American women who helped NASA put the first men in space is available for picture book readers," proclaims Brightly in their article "18 Must-Read Picture Books of 2018." "Will inspire girls and boys alike to love math, believe in themselves, and reach for the stars."

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Groundbreaking, controversial, and courageous, here is the story of Rosa Parks and Recy Taylor—a story that reinterprets the history of America's civil rights movement in terms of the sexual violence committed against Black women by white men. "An important step to finally facing the terrible legacies of race and gender in this country.” —The Washington Post Rosa Parks was often described as a sweet and reticent elderly woman whose tired feet caused her to defy segregation on Montgomery’s city buses, and whose supposedly solitary, spontaneous act sparked the 1955 bus boycott that gave birth to the civil rights movement. The truth of who Rosa Parks was and what really lay beneath the 1955 boycott is far different from anything previously written. In this groundbreaking and important book, Danielle McGuire writes about the rape in 1944 of a twenty-four-year-old mother and sharecropper, Recy Taylor, who strolled toward home after an evening of singing and praying at the Rock Hill Holiness Church in Abbeville, Alabama. Seven white men, armed with knives and shotguns, ordered the young woman into their green Chevrolet, raped her, and left her for dead. The president of the local NAACP branch office sent his best investigator and organizer--Rosa Parks--to Abbeville. In taking on this case, Parks launched a movement that exposed a ritualized history of sexual assault against Black women and added fire to the growing call for change.

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Experience World War 2 through the eyes of two very different women in this captivating New York Times bestseller by the author of The Guest Book. “A beautifully written, thought-provoking novel.”—Kathryn Stockett, #1 New York Times bestselling author of The Help In 1940, Iris James is the postmistress in coastal Franklin, Massachusetts. Iris knows more about the townspeople than she will ever say, and believes her job is to deliver secrets. Yet one day she does the unthinkable: slips a letter into her pocket, reads it, and doesn't deliver it. Meanwhile, Frankie Bard broadcasts from overseas with Edward R. Murrow. Her dispatches beg listeners to pay heed as the Nazis bomb London nightly. Most of the townspeople of Franklin think the war can't touch them. But both Iris and Frankie know better... The Postmistress is a tale of two worlds-one shattered by violence, the other willfully naïve—and of two women whose job is to deliver the news, yet who find themselves unable to do so. Through their eyes, and the eyes of everyday people caught in history's tide, it examines how stories are told, and how the fact of war is borne even through everyday life.

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Here are the complete prophecies of Nostradamus. Nostradamus is the best known and most accurate mystic and seer of all times. There are those who say that he predicted Napoleon and even the attack on the World Trade Center. Read the prophecies and judge for yourself.

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Trent’s Last Case THE WOMAN IN BLACK (Detective Novel) Trent's Last Case (Classic Detective Presents) Trent Last Case: The Woman In Black is a detective novel written by Edmund Clerihew Bentley and first published in 1913. Its central character reappeared subsequently in the novel Trent's Own Case (1936) and the short-story collection Trent Intervenes (1938).Trent's Last Case is actually the first novel in which gentleman sleuth Philip Trent appears. The novel is a whodunit with a place in detective fiction history because it is the first major sendup of that genre: Not only does Trent fall in love with one of the primary suspects—usually considered a no-no—he also, after painstakingly collecting all the evidence, draws all the wrong conclusions.Convinced that he has tracked down the murderer of a business tycoon who was shot in his mansion, he is told by the real perpetrator over dinner what mistakes in logical deduction he has made in trying to solve the case. On hearing what really happened, Trent vows that he will never again attempt to dabble in crime detection. Trent’s Last Case THE WOMAN IN BLACK (Detective Novel) Trent's Last Case (Classic Detective Presents) Detective Philip Trent investigates the mysterious murder of a leading financier. Despite the title, Trent's Last Case is the first novel in which the gentleman sleuth Philip Trent appears. The novel is a whodunit with a place in detective fiction history because it is the first major sendup of that genre: Not only does Trent fall in love with one of the primary suspects—usually considered a no-no—he also, after painstakingly collecting all the evidence, draws all the wrong conclusions! This novel was much praised, numbering Dorothy L. Sayers among its admirers, and with its labyrinthine and mystifying plotting can be seen as the first truly modern mystery. It was adapted as a film in 1920, 1929, and 1952. The success of the work inspired him, after 23 years, to write a sequel, Trent's Own Case. Trent’s Last Case THE WOMAN IN BLACK (Detective Novel) Trent's Last Case (Classic Detective Presents) Trent's Last Case is a detective novel written by E.C. Bentley and first published in 1913. Its central character reappeared subsequently in the novel Trent's Own Case (1936) and the short-story collection Trent Intervenes (1938). Trent’s Last Case THE WOMAN IN BLACK (Detective Novel) Trent's Last Case (Classic Detective Presents) Trent's Last Case is actually the first novel in which gentleman sleuth Philip Trent appears. The novel is a whodunit with a place in detective fiction history because it is the first major sendup of that genre: Not only does Trent fall in love with one of the primary suspects—usually considered a no-no—he also, after painstakingly collecting all the evidence, draws all the wrong conclusions. Trent’s Last Case THE WOMAN IN BLACK (Detective Novel) Trent's Last Case (Classic Detective Presents) Convinced that he has tracked down the murderer of a business tycoon who was shot in his mansion, he is told by the real perpetrator over dinner what mistakes in logical deduction he has made in trying to solve the case. On hearing what really happened, Trent vows that he will never again attempt to dabble in crime detection. Trent’s Last Case THE WOMAN IN BLACK (Detective Novel) Trent's Last Case (Classic Detective Presents)

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THE WOMAN IN BLACK BY EDMUND CLERICAL BENTLEY Trent's Last Case (US title The Woman in Black) is actually the first novel in which the gentleman detective Philip Trent appears. The novel is a detective story whose unique place in the history of detective fiction is because it is at the same time the first great sentiment of that genre itself: not only does Trent fall in love with a prime suspect - usually considered a no-no - he too, after painstakingly gathering all the evidence, he draws all the wrong conclusions. Convinced that he has tracked down the killer of a business tycoon who was killed in his mansion, during dinner he is told by the real culprit what errors in the logical deduction of the solution to the crime he committed. Hearing what really happened, Trent vows that he will never again attempt to dabble in crime detection. THE WOMAN IN BLACK BY EDMUND CLERICAL BENTLEY As The Woman in Black celebrates thirty years on stage, discover the truly terrifying classic English ghost story behind the play. Arthur Kipps, a junior solicitor, is summoned to attend the funeral of Mrs Alice Drablow, the sole inhabitant of Eel Marsh House. The house stands at the end of a causeway, wreathed in fog and mystery, but it is not until he glimpses a wasted young woman, dressed all in black, at the funeral, that a creeping sense of unease begins to take hold, a feeling deepened by the reluctance of the locals to talk of the woman in black – and her terrible purpose. THE WOMAN IN BLACK BY EDMUND CLERICAL BENTLEY ‘No one chills the heart like Susan Hill’ Daily Telegraph

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"Trent's Last Case or The Woman in Black" by Edmund Clerihew Bentley. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

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Drawing on a range of philosophical, anthropological and political theories, Athena Athanasiou offers a new way of thinking about agonistic performativity with its critical connections to national and gender politics and alongside the political intricacies of affectivity, courage and justice. Through an ethnographic account of the urban feminist and antinationalist movement Women in Black of Belgrade during the Yugoslav wars, she shows that we might understand their dissident politics of mourning as a means to refigure political life beyond sovereign accounts of subjectivity and agency.

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In 1920 W.E.B. Du Bois cited the damnation of women as linked to the devaluation of motherhood. This dilemma, he argues, had a crushing blow on Black women as they were forced into slavery. Black womanhood, portrayed as hypersexual by nature, became an enduring stereotype which did not coincide with the dignity of mother and wife. This portrayal continues to reinforce negative stereotypes of Black women in the media today. This book highlights how Black women have been negatively portrayed in the media, focusing on the export nature of media and its ability to convey notions of Blackness to the public. It argues that media such as rap music videos, television dramas, reality television shows, and newscasts create and affect expectations of Black women. Exploring the role that racism, misogyny and media play in the representation of Black womanhood, it provides a foundation for challenging contemporary media’s portrayal of Black women.

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This book seeks to interrogate the representation of Black women in television. Cheers explores how the increase of Black women in media ownership and creative executive roles (producers, showrunners, directors and writers) in the last 30 years affected the fundamental cultural shift in Black women’s representation on television, which in turn parallels the political, social, economic and cultural advancements of Black women in America from 1950 to 2016. She also examines Black women as a diverse television audience, discussing how they interact and respond to the constantly evolving television representation of their image and likeness, looking specifically at how social media is used as a tool of audience engagement.

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Though often consigned to the footnotes of history, African American women are a significant part of the rich, multiethnic heritage of Texas and the United States. Until now, though, their story has frequently been fragmented and underappreciated. "Black Women in Texas History" draws together a multi-author narrative of the experiences and impact of black American women from the time of slavery until the recent past. Each chapter, written by an expert on the era, provides a readable survey and overview of the lives and roles of black Texas women during that period. Each provides careful documentation, which, along with the thorough bibliography compiled by the volume editors, will provide a starting point for others wanting to build on this important topic. The authors address significant questions about population demographics, employment patterns, family and social dimensions, legal and political rights, and individual accomplishments. They look not only at how African American women have been shaped by the larger culture but also at how these women have, in turn, affected the culture and history of Texas. This work situates African American women within the context of their times and offers a due appreciation and analysis of their lives and accomplishments. "Black Women in Texas History" is an important addition to history and sociology curriculums as well as black studies and women's studies programs. It will provide for interested students, scholars, and general readers a comprehensive survey of the crucial role these women played in shaping the history of the Lone Star State.

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This book offers both theoretical perspectives and detailed examples which provide the analytical frameworks chosen by the Middle Eastern women themselves to explain the strategies they have chosen for liberation. The studies deal with Islam and its impact on personal and public lives of women in the region as well as their political struggles for liberation both internally and internationally.

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First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.

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Examining novelists, bloggers, and other creators of new media, this study focuses on autobiography by American black women since 1980, including Audre Lorde, Jill Nelson, and Janet Jackson. As Curtis argues, these women used embodiment as a strategy of drawing the audience into visceral identification with them and thus forestalling stereotypes.

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A compelling and readable narrative history, How Long? How Long? presents both a rethinking of social movement theory and a controversial thesis: that chroniclers have egregiously neglected the most important leaders of the Civil Rights movement, African-American women, in favor of higher-profile African-American men and white women. Author Belinda Robnett argues that the diversity of experiences of the African-American women organizers has been underemphasized in favor of monolithic treatments of their femaleness and blackness. Drawing heavily on interviews with actual participants in the American Civil Rights movement, this work retells the movement as seen through the eyes and spoken through the voices of African-American women participants. It is the first book to provide an analysis of race, class, gender, and culture as substructures that shaped the organization and outcome of the movement. Robnett examines the differences among women participants in the movement and offers the first cohesive analysis of the gendered relations and interactions among its black activists, thus demonstrating that femaleness and blackness cannot be viewed as sufficient signifiers for movement experience and individual identity. Finally, this book makes a significant contribution to social movement theory by providing a crucial understanding of the continuity and complexity of social movements, clarifying the need for different layers of leadership that come to satisfy different movement needs. An engaging narrative history as well as a major contribution to social movement and feminist theory, How Long? How Long? will appeal to students and scholars of social activism, women's studies, American history, and African-American studies, and to general readers interested in the perennially fascinating story of the American Civil Rights movement.

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Drawing on fieldwork conducted at eight women's music festivals, Eileen M. Hayes shows how studying these festivals--attended by predominately white lesbians--provides critical insight into the role of music and lesbian community formation. She argues that the women's music festival is a significant institutional site for the emergence of black feminist consciousness in the contemporary period. Hayes also offers sage perspectives on black women's involvement in the women's music festival scene, the ramifications of their performances as drag kings in those environments, and the challenges and joys of a black lesbian retreat based on the feminist festival model. With acuity and candor, longtime feminist activist Hayes elucidates why this music scene matters. Veteran vocalist, percussionist, producer, and cultural historian Linda Tillery provides a foreword.

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Based on interviews and archival research, this book explores how media is implicated in Black women’s lives in Britain. From accounts of twentieth-century activism and television representations, to experiences of YouTube and Twitter, Sobande's analysis traverses tensions between digital culture’s communal, counter-cultural and commercial qualities. Chapters 2 and 4 are available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.

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For those interested in democratic transition and consolidation, social movements, and gender politics, this volume is the most comprehensive, up-to-date, and probing analysis available of how women's groups are helping to reshape Latin America. The contributors document and assess the remarkable wave of women's political participation in Latin America over the past two decades. The first five case studies, on Brazil, Argentina, Uruguay, Chile, and Peru, examine the origins, evolution, and goals of women's organizations as they worked together to end authoritarian rule and elaborate how women's groups have adapted in the 1990s to the day-to-day realities of democratic politics. In the 1990s, the challenge has shifted from mobilizing opposition to the very different task of working with parties and government bureaucracies in order to maintain and implement their agendas. The chapters on Nicaragua and Mexico broaden our understanding of political transitions.Seven case studies vividly illustrate the variety of women's movements in the region, ranging from the communal-kitchens movements to human rights groups. Each author discusses the strategies and debates of the feminist movements in question and records their political successes and failures. Jaquette's introductory and concluding essays provide a comparative framework, highlighting the innovative ways in which Latin American women are making gender a political issue.

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This book investigates competing modes of thought about gender security and aims to understand the policy implications of personal-political imaginations. The work draws upon extensive research conducted by the author in Serbia to develop a comprehensive picture of how feminist and women’s organising relates to the broader national and international contexts surrounding gender security. Through an innovative analytical framework of personal-political imaginations, the book explores the role that memories, perceptions and hopes about conflict and post-conflict have upon the logics of gender security. It investigates how contrasting and competing modes of thought about ‘gender security’ are made, paying attention to how the dynamics of gender politics in Serbia shape the security discourse and narratives of activists. The volume explores in detail how feminist and women’s organisations have responded to UNSCR 1325 by analysing two policy debates and campaigns that seek to ‘achieve’ its goals and gender security in Serbia: (1) feminist antimilitarism and (2) connecting domestic violence to the abuse of small arms and light weapons. Ultimately, the book argues that the configuration of gender security discourse is intimately linked to personal-political imaginations of conflict and post-conflict. This book will be of much interest to students of gender politics, conflict studies, critical security studies, European politics and IR in general.

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From the #1 New York Times–bestselling author of A Woman of Substance comes a billionaire tycoon’s lifelong search for the right woman’s love. Born in Berlin and orphaned by World War II, Maxim Westheim is left to fend for himself. With brains, charm, and grit, he forges a new identity for himself as Maximilian West, billionaire corporate raider. Max is ruthless in the business world, but his personal affairs are another story. His work takes him around the world to such opulent locales as London, New York, Paris, Venice, and Morocco, mingling with the world’s rich and powerful. But his marriages end in divorce, and even his mistresses can’t avoid heartbreak. When his life is shattered, he looks back at the women who have loved him and begins a search into his own soul which will lead to the one woman who holds the key to his heart. “Legions of readers undoubtedly will be satisfied by the romantic fortunes of the cultured, wealthy and powerful people whose lives she evokes.” —Publishers Weekly “[Bradford] is one of the world’s best at spinning yarns.” —The Guardian

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This book reports findings from the National Study of Black College Students, a comprehensive study of Black college students’ characteristics, experiences, and achievements as related to student background, institutional context, and interpersonal relationships. Over 4,000 undergraduates and graduate/professional students on sixteen campuses (eight historically Black and eight predominantly White) participated in this mail survey. Using these and other data, this book systematically examines the current state of Black students in U.S. higher education. Until now, our understanding has been limited by inadequate data, misguided theories, and failure to properly interpret the Black American reality. This volume challenges our assumptions and contributes to the growing body of knowledge about Black student experiences and outcomes in higher education.

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Commemorating the Battle of Karbala, in which the Prophet Mohammad's grandson Hosayn and seventy-two of his family members and supporters were martyred in 680 CE, is the central religious observance of Shi'i Islam. Though much has been written about the rituals that reenact and venerate Karbala, until now no one has studied women's participation in these observances. This collection of original essays by a multidisciplinary team of scholars analyzes the diverse roles that women have played in the Karbala rituals, as well as the varied ways in which gender-coded symbols have been used within religious and political discourses. The contributors to this volume consider women as participants in and observers of the Karbala rituals in Iran, Iraq, Lebanon, India, Pakistan, and the United States. They find that women's experiences in the Shi'i rituals vary considerably from one community to another, based on regional customs, personal preferences, religious interpretations, popular culture, and socioeconomic background. The authors also examine the gender symbolism within the rituals, showing how it reinforces distinctions between the genders while it also highlights the centrality of women to the symbolic repertory of Shi'ism. Overall, the authors conclude that while Shi'i rituals and symbols have in some ways been used to restrict women's social roles, in other ways they have served to provide women with a sense of independence and empowerment.

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Political Invisibility and Mobilization explores the unseen opportunities available to those considered irrelevant and disregarded during periods of violent repression. In a comparative study of three women’s peace movements, in Argentina, the former Yugoslavia, and Liberia, the concept of political invisibility is developed to identify the unexpected beneficial effects of marginalization in the face of regime violence and civil war. Each chapter details the unique ways these movements avoided being targeted as threats to regime power and how they utilized free spaces to mobilize for peace. Their organizing efforts among international networks are described as a form of field-shifting that gained them the authority to expand their work at home to bring an end to war and rebuild society. The robust conceptual framework developed herein offers new ways to analyze the variations and nuances of how social status interacts with opportunities for effective activism. This book presents a sophisticated theory of political invisibility with historical detail from three remarkable stories of courage in the face of atrocity. With relevance for political sociology, social movement studies, women’s studies, and peace and conflict studies, it contributes to scholarly understanding of mobilization in repressive states while also offering strategic insight to movement practitioners. Winner of the ASA Peace, War and Social Conflict Section's 2021 Outstanding Book Award.

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This book is the first archive-based account of the charged debates around race in the women's movement in England during the 'second wave' period. Examining both the white and the Black women's movement through a source base that includes original oral histories and extensive research using feminist periodicals, this book seeks to unpack the historical roots of long-running tensions between Black and white feminists. It gives a broad overview of the activism that both Black and white women were involved in, and examines the Black feminist critique of white feminists as racist, how white feminists reacted to this critique, and asks why the women's movement was so unable to engage with the concerns of Black women. Through doing so, the book speaks to many present day concerns within the women's movement about the politics of race, and indeed the place of identity politics within the left more broadly.

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Among the most prominent icons of the American south is that of the southern belle, immortalized by such figures as Scarlett O'Hara, Dolly Madison, and Lucy Pickens (whose elegant image graced the Confederate $100 bill). And yet the women of America's south iave always defied pat generalization, no more readily forced into facle categories than women in the country's other regions. Never before has a book of southern history so successfully integrated the experiences of white and non-white women. Among the myriad subjects addressed in the book are black women's suffrage, the economic realities of Choctaw women, female kin and female slaves in planters's wills, the northern myth of the rebel girl, second wave feminism in the South, and southern lesbians. Bringing to light the lives of Cherokee women, Appalachian "coal daughters," and Jewish women in the South, the essays all but one published in this book for the first time, ensure that monolithic representations of southern womanhood are a thing of the past. Filling a crucial gap in southern history and women's history, Women of the American South is a valuable reference and pedagogical aid for a wide range of scholars and students.

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